Save this article to read it later.
Find this story in your accountsSaved for Latersection.
(I think my favorite of these pairings isDawn of the Deadstar Ken Foree withThe Things Keith David.)
Or, as author Tananarive Due puts it: Black historyisblack horror.
These same echoes are expanded near the end ofHorror Noire, in an extended discussion of Jordan PeelesGet Out.
Its through creative, yet vital connections such as these thatHorror Noireworks its own magic.
Its a lively, occasionally powerful history lesson, and an essential reclamation project.
