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That movies nothingbutthe female gaze.
The reason why verges on Gothic tragedy.
But once they start looking at each other, they find it hard to stop.
This is a film about women watching women, shot by two women.
(The cinematographer is Claire Mathon, who does for bright sunlight what Roger Deakins does for shadows.)
Heloises gaze is something else.
The painting theyre collaborating on is the very object that will end their relationship.
