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And glide they do.
But shes also trying to get to the bottom of her husbands death shes Antsy Drew.
Katherine has nothing in her world to hold onto.
Danlucks writing, fortunately, has sharp edges that slice through some of the murk.
Shes the movies most discordant note: The more of her there is, the tenser we become.
Will she surrender to this vaguely malevolent figure?
Part of her wants to.
State Like Sleepdoes have a more definite figure, although one with weird ellipses.
Stability roles but gentle and likable here.
Shannon and Waterston have an easy rapport.
(It was a Harvey Weinstein Oscar-bait project and radioactive.)
Their last scenes are florid and unearned.
I think that, without meaning to, Danluck cheats the audience.
Shes softer and more remote.
The pain that dulls her features is somehow exciting.
It fits Danlucks onomatopoeic idea of anguish.
