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This review originally ran during the Sundance Film Festival.
This is ultraprogressive, radical storytelling that manages to stay totally joyful and inventive throughout.
The soundtrack by Tune-Yards Merrill Garbus is organic and twitchy, as is the music by Rileys own band.
But Rileys debut stays human no matter how far off the deep end it goes.
If anything, it suggests that to be humanisto go off the deep end.
